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Joep Christenhusz

Soundings of Ecological Time in Contemporary Music and Sound Art
This essay aims to find ways in which, through music and sound art, we may be able to attune to temporalities that are less anthropocentric and more ecologically minded. In this investigative essay Christenhusz will take a closer listen to four works that touch upon this theme of more-than-human time: Jennifer Walshe’s Time Time Time (2019), Jem Finer’s Longplayer (1999), Felix Hess’ Air Pressure Fluctuations (2001) and John Luther Adams’s The Place Where You Go to Listen (2004-2006). Christenhusz aims to enquire how these works offer representations and sonifications of ecological notions of time through sound.